Eliana Johnson #13- Modernism in America PT. 2

 Mid Century Modernism

• Architecture
• Flat roofs with angular details and asymmetrical profiles were popular during the 1950-1960
• This was the first use of bi-level structures and had indoor and outdoor spaces brought together more. 
• Brought it warm and earthy color schemes
• Furniture 
• Plastic, resin, metal composites, laminates, and fiberglass were the main materials used for the furnitures
• Joseph Eichler
• Real-estate developer
• was inspired by frank Lloyd Wright and created 11000 homes, mostly with a frame roofs
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• Eero Saarienen Womb chair
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• Knoll
• Hans and Florence Knoll and had many famous designers work for them 
• offered office systems, furniture, textiles, and commercial accessories
• Charles and Ray Eames  
• "I never gave up painting, I just changed my palette" -Ray Eames
• They considered ergonomic factors in furniture design and designed for Herman Miller
• Experimented with the development of molded plywood for chairs
• used modern materials
• Herman Miller
• Is a Design manufacturing company that was established in 1905 in Zeeland, Michigan and started out as "Star Funiture Company" and later changed to Herman Miller
• This design company designs
• office furniture
• modern home furnishings
• partners with successful modern designers
• Current Application
• The Incredibles is deeply inspired by mid-century modern design, which is reflected throughout its architecture, fashion, and overall aesthetic. The Parr family's home is a prime example, featuring clean lines, open floor plans, and large glass windows that blur the line between indoors and outdoors—hallmarks of mid-century modern architecture.
  
  
  
  
  The furniture within their home, from low-slung sofas to wood and metal accents, mirrors the sleek, functional style popular in the 1950s and 60s. Even the characters’ wardrobes echo this influence, with Elastigirl’s flight suit and Mr. Incredible’s old-school costume showcasing bold colors and streamlined shapes. Edna Mode’s minimalist fashion sense and geometric glasses further reinforce the aesthetic.
  
  
  Visually, the film embraces a mid-century color palette of mustard yellow, teal, orange, and avocado green, while the graphic elements, like signage and credits, draw from the work of designers like Saul Bass.
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